Legal Thriller Books By John Grisham

“Objection, Your Honor!” has become a resounding cry from televisions and movies around the world. Interestingly, these three words were only heard exclusively inside a courtroom during trials…that is, until a new genre of fiction was born and a new breed of writers emerged to establish one of the most popular types of fiction in books, movies, and television.

Legal Thriller and Courtroom Drama
One of the most recent additions to the genre of mystery novels is the legal thriller. By its name, a legal thriller occurs within the context of the legal system, wherein a lawyer is, most of the time, a protagonist who seeks justice and claims it from the hands of an enemy which may or may not be legal authorities or people who try to exert influence over the law. It is a thriller in the sense that dangers lurk around every page and the protagonists face threats to their profession and, at times, their lives.

The legal thriller formula of literature has been adapted by television. This gave birth to courtroom drama, a more specific form of legal thriller wherein the suspense and the battle between right and wrong occurs within the courtroom; the endless interrogation and confrontation of the two opposing camps of the defendant and the plaintiff is the central action of the stories.

Legal thrillers have grown in popularity in the past few decades, thanks to writers who tirelessly share their expertise in law and skills in writing to produce some of the best heart-stopping novels in modern literature. One of these writers is John Grisham.

Writer in focus: John Grisham
With 27 books (and counting) to his name, author John Grisham earns the distinction of being one of the most prominent legal thriller writers in the US and the world. John Grishams’s books never fail to make it to lists of top legal thrillers. He also features into most, if not all, lists of top writers in the said genre.

Of his books, 9 were adapted into movies and 3 into television series, where high-profile Hollywood actors like Denzel Washington, Julia Roberts, Tom Cruise, Sandra Bullock and others played the various, complex roles that populate his fast-paced stories. Readers all over have commented that his books were better than their movie adaptations. If you’re not yet acquainted with John Grisham books works, now is the best time to check out his books, especially the ones with adaptations, before you even attempt to watch the films themselves. This will allow you to appreciate the power of the narrative that the writer wrote and wove.|

John Grisham Books
Most of Grisham’s books enter the bestseller lists both locally and internationally. If you have never read his works, now would be the best time to consider looking for John Grisham books. The give you a taste of this author’s writing skills, here’s a synopsis of his 2010 book, The Confession:

The Confession (2010) is about Travis Boyette, a man who committed a horrible crime and watched quietly as an innocent man was convicted in his place. Now, almost a decade after, Travis was confronted by the past; he believes that a confession can set things right, but time is already running out for him and the innocent man wrongfully sentenced for a murder not of his doing.

If you wish to learn more about the genre of legal thrillers, we recommend you read John Grisham books to appreciate his gripping page-turners.

Legal Translation Condensed

Legal matters can be a minefield in any circumstances and accuracy is paramount. It goes without saying therefore that legal translation requires diligence and absolute adherence to detail. Remember, when you are dealing with legal translation you are interacting within a two way system with differing legal systems.

When considering legal translation it is essential to fully understand the legal system of the target language. This means you don’t just need a basic knowledge of the legal system, you must ensure that you have an understanding of the history that forms the basis for the current legal regulations of the law relating to the target language and, indeed, the legal language itself.

Before embarking on the legal translation of documentation, contracts etc in your language, if you don’t have an academic knowledge of the law yourself, you must ensure to engage the services of a legal expert to unravel intricacies of the finer detail in your own language and in that of the target language.

One of the most difficult areas is posed by the translation of a legal term which does not exist in your target language. This is particularly important where your legal expert comes in if you don’t have that expertise yourself. If you are of the view that legal in itself is a straightforward task and overlook the finer details as mentioned above with specific legal terms, then you could end up losing money and possibly cause damage to your business. It is always important to lay your cost out with this in mind before undertaking the legal translation. Rather than to try to find an appropriate term to adapt to your language from your source language it is better to break down the specifics and reach a solution by way of creative explanation that fits yours and the target language expectations and understanding.

It is crucial to bear in mind throughout the process of legal that any mistranslation or misunderstanding no matter how minor, of a legal document can have disastrous consequences upon your business. It is therefore prudent to ensure that you have the necessary legal available in both the source language and the target language and to make sure of good proof reading before documents, contracts, certificates etc are sent out.

The Legal Hurdles of Adapting A Novel or Book

Here’s a question I recently received from a student:

The Question:

Given that I have very few connections to the industry, how would you best recommend moving forward if I have a novel in mind I’d like to adapt? Is it necessary to have a literary agent? Is it best to go through the publishers to find out about the rights? What would help me to get my foot in the door?

My Answer:

Most likely, novels by major authors will have already been snapped up by people with much deeper pockets than you have. However, older or lesser known novels and non-fiction books by less famous authors may very well be available. And some very old novels even exist in the public domain, which means you can use them without optioning anything!

Contacting The Subsidiary Rights Department

The way to start is by contacting the Subsidiary Rights Department at the book or novel’s publisher. You can usually find the contact information for the Subsidiary Rights Department down in the fine print at the bottom the publisher’s website, or by calling the publisher directly.

Break Out Your 1990′s Technology

Believe it or not, many Subsidiary Rights Departments still require contact via fax, so unless your publisher accepts email requests, go ahead and crank back the calendar to 1994, break out your old fax machine, and get ready to rock.

The fax (or email) you send should include the following:

Your Name

Your Company Name (if Applicable)

Your Address

Your Fax Number

Title of The Novel

Author’s Name

Publisher

Publication Date

ISBN Number

A Request To Know Who Controls The Film Rights For The Novel

A Blank Space For Them To Write That Person Or Company’s Contact Info

Make sure your return fax number is printed clearly on the form, so they know who to send it back to!

Contacting The Rights Holder

Once you have the name of the person, company, or agent that controls the film rights, you can go ahead and reach out to them (usually by phone or email) about optioning the novel or book.

What The Heck is An Option?

Essentially an option is a legal agreement that gives you the right to buy or sell the film rights for a book or novel at an agreed upon price. Most options last for a year, and give you an option to extend for a second year for a fixed additional payment. Depending on the perceived value of the book or novel you’re optioning, an option can cost a fortune, or as little as a dollar.

The option is the thing that gives you the right to actually SELL the screenplay you write based on somebody else’s book or novel.

It’s not your job to know the ins and outs of options. When the time comes, you will hire a lawyer to walk you through the option agreement. For right now, just concentrate on contacting the rights holder, finding out if the film rights are available, and asking if he or she would be willing to work out a “free” (technically $1) or inexpensive option with you so that you can adapt the book or novel into screenplay form.

Your Pitch

If you’re like most writers, you probably don’t have a ton of money to spend on an option. If the novel’s been sitting on the shelf for years, the rights holder may simply be delighted to know that someone is interested. But the chances are, you’re going to have to do a little bit of selling of yourself in order to convince the rights holder that it’s in their best interest to put their project in your hands.

So that means before you pick up the phone, you want to have a clear take on the material, and an exciting pitch for how you’d transform it into a marketable screenplay, and maybe some ideas for big stars who could play the lead role once your screenplay is finished, and how your version of the adaptation would be perfect for those actors.

Remember, You Are Bringing Real Value To The Project

Generally, if the film rights for a book or novel are still available, it means the rights holder has already done everything in their power to sell the project as a film and failed. That means your script could give them a second chance to show someone how this story really could make a great movie and turn it from another project sitting in their files into a hot commodity that can bring them lots of money.

If you’re going to risk a year of your life writing that script for them with no upfront compensation, it’s reasonable to expect them to give you a year long option and the rights to extend for a second year for a reasonable amount of money.

What If They Want You To “Audition”

If the rights holder asks you for a short treatment or a writing sample, it’s probably worth your while go ahead and send it. But don’t under any circumstances start writing a screenplay until you legally control the option on the material.

I can’t tell you how many writers I’ve known who have “auditioned” by writing a script with the hopes that a rights holder would like it, only to have the rights holder sell the book or novel out from under them- often for reasons that have absolutely nothing to do with the quality of the script.

Why You Need A Lawyer

Remember that you only control the rights as long as you control the option, which means that once the option expires, you can’t sell your script without the author’s approval. That means you want a real entertainment lawyer to draw up your option agreement for you (even if you’re optioning the story for a dollar).

Think about the time you’re going to invest in this project. Do you really want to stake everything on an option agreement you pulled off the internet? You need an expert to protect your investment, and make sure you can do something with it when it’s finished.

Public Domain Books And Novels

As you can tell, when rights holders are involved, optioning a book or novel can be a challenging process for a young writer. However, if the book you’re interested in adapting was published in the United States prior to 1923, most likely you don’t have to go through ANY of this! Because most likely that book is in the public domain.

For this reason, if you’re interested in adaptation, one of the best places to start is with old books that you can use as you like without any option agreement.

The rules of public domain can be complex, so make sure to double check that the book is in the public domain before you start writing.

Writing Your Adaptation

Of course, optioning the book or novel, or discovering the public domain book you want to adapt is just the beginning. The process of making your adaptation is an art in itself.

Legal Disclaimer: I am a screenwriter and not a lawyer. Though I hope that this information will be useful to you, please be aware that no part of this article should be considered legal advice. For such advice please consult an entertainment attorney.